{"id":13714,"date":"2011-04-04T07:30:00","date_gmt":"2011-04-04T05:30:00","guid":{"rendered":"http:\/\/www.fedaiisf.it\/pubblicita-farmaceutica-o-arte\/"},"modified":"2011-04-04T07:30:00","modified_gmt":"2011-04-04T05:30:00","slug":"pubblicita-farmaceutica-o-arte","status":"publish","type":"post","link":"https:\/\/www.fedaiisf.it\/en\/pubblicita-farmaceutica-o-arte\/","title":{"rendered":"Pharmaceutical advertising or art?"},"content":{"rendered":"<p><font size=\"3\">A one-of-a-kind pharmaceutical advertising exhibition inaugurated at the Philadelphia Museum of Art. Entitled &quot;Health for Sale&quot;, the exhibition mainly consists of posters dating back to the first half of the 1900s advertising drugs (real or presumed) or mass health campaigns.<\/p>\n<p> The material comes from the private collection of William H. Helfand, a chemical engineer who worked for over 30 years at the pharmaceutical company Merck in the &quot;International Operations&quot; division. His work has taken him around Europe and especially in Paris, allowing him to cultivate his passion for vintage advertising. Explains co-curator of the exhibition, John Ittman: \u201cHelfand is a great collector of ephemera. In addition to posters, he owns thousands of drug bottle labels, postcards and advertising brochures.<\/p>\n<p> The exhibition covers a period of almost a century and a half, from 1840 to 1985, but the gaze goes even further back if one considers that the Philadelphia Museum of Art already has a famous collection dedicated to the world of Health, called &quot;Ars Medica \u201d, which includes portraits of 17th century doctors signed by Rembrandt.<\/font>Source: Zielinska E. Medical posters a san art. The Scientist 01\/04\/2011.<\/p>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td class=\"titoletto\">April 4, 2011<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding-bottom: 8px; padding-right: 8px; padding-top: 8px\" id=\"il_fi\" alt=\"\" width=\"224\" height=\"57\" src=\"http:\/\/www.pensiero.it\/images\/logo_pensiero.jpg\" \/><\/p>\n<p align=\"center\"><img loading=\"lazy\" decoding=\"async\" style=\"padding-bottom: 8px; width: 334px; padding-right: 8px; height: 228px; padding-top: 8px\" id=\"il_fi\" alt=\"\" width=\"550\" height=\"335\" src=\"http:\/\/digiphotostatic.libero.it\/lafarmaciadepoca\/med\/33086ab3da_4641554_med.jpg\" \/>&nbsp;&nbsp;&nbsp; <img loading=\"lazy\" decoding=\"async\" style=\"width: 369px; height: 227px\" alt=\"Cerotto Bertelli\" width=\"550\" height=\"358\" src=\"http:\/\/digiphotostatic.libero.it\/lafarmaciadepoca\/med\/33086ab3da_4447990_med.jpg\" \/><\/p>\n<p align=\"center\"><img loading=\"lazy\" decoding=\"async\" style=\"padding-bottom: 8px; padding-right: 8px; padding-top: 8px\" id=\"il_fi\" alt=\"\" width=\"180\" height=\"243\" src=\"http:\/\/bau-images.tangentone.com.au\/images\/ar\/97803001\/9780300171174\/180\/0\/plain\/health-for-sale-posters-from-the-william-h-helfand-collection.jpg\" \/>&nbsp; <img loading=\"lazy\" decoding=\"async\" style=\"padding-bottom: 8px; width: 190px; padding-right: 8px; height: 242px; padding-top: 8px\" id=\"il_fi\" alt=\"\" width=\"200\" height=\"280\" src=\"http:\/\/www.nyam.org\/assets\/images\/fellows\/bios\/WilliamHelfand.jpg\" \/>&nbsp;<em><font size=\"2\">William H. Helfand<\/font><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Al Philadelphia Museum of Art inaugurata una mostra di advertising farmaceutico unica nel suo genere. Intitolata &ldquo;Health for Sale&rdquo;, la mostra &egrave; costituita soprattutto di manifesti risalenti alla prima met&agrave; del &lsquo;900 pubblicizzanti farmaci (veri o presunti) o campagne sanitarie di massa. Il materiale proviene dalla collezione privata di William H. Helfand, un ingegnere chimico &hellip;<\/p>","protected":false},"author":1,"featured_media":9846,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90],"tags":[],"class_list":["post-13714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fedaiisf-archivio-storico"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts\/13714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/comments?post=13714"}],"version-history":[{"count":0,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts\/13714\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/media\/9846"}],"wp:attachment":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/media?parent=13714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/categories?post=13714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/tags?post=13714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}