{"id":34341,"date":"2018-01-22T17:53:09","date_gmt":"2018-01-22T16:53:09","guid":{"rendered":"http:\/\/www.fedaiisf.it\/?p=34341"},"modified":"2018-01-23T12:42:38","modified_gmt":"2018-01-23T11:42:38","slug":"reggio-calabria-al-teatro-odeon-va-scena-lo-spettacolo-vision","status":"publish","type":"post","link":"https:\/\/www.fedaiisf.it\/en\/reggio-calabria-al-teatro-odeon-va-scena-lo-spettacolo-vision\/","title":{"rendered":"Reggio Calabria: the show "Vision" is staged at the Odeon Theater. How ISF and psychiatrists transform a patient into a psychotic subject"},"content":{"rendered":"

In theatrical comedy Vision<\/b>, the forms and ways in which scientific representatives and psychiatrists can induce, with too often imperceptible nuances, a patient to transform into a psychotic subject are discussed.<\/em><\/p>\n

Web Strait \u2013 January 22, 2018<\/a><\/p>\n

There are those who define it as an irregular art, an expressive form born from the interests, from the pluriform relationships that theater and psychiatry have woven and live. We, family members of people with mental suffering, define it as programming that arises from a reality subordinated to the illusion conceived by a mind that wants to see beyond the deception.<\/p>\n

Vision comedy in three acts proposed by Dr Giancarlo Zurzolo<\/b>, tells and collects ideas, thoughts, visions, which revolve around psychiatry, psychiatrists in particular on the economic interests that surround psychopharmaceuticals. In the meetings between the protagonists of the theatrical comedy Vision, the forms and ways in which scientific representatives and psychiatrists can induce, with too often imperceptible nuances, a patient to transform into a psychotic subject are discussed. <\/strong><\/p>\n

\"\"<\/a>In fact, it is an active and creative modality that offers psychiatrists an opportunity for income that goes beyond expectations but above all involves the unsuspecting patient. Focused on the innovative culture of medicines, it leads more to think than to bring programming of serious responses to the expressed needs of people with suffering conditions, above all it involves operators who should be agents of change to remain caged by concrete walls in a structure of relationships and unbridled desires.<\/p>\n

The interpersonal and social conflicts that the patients express in this comedy are fertile ground for the psychiatrist, who recites a detailed solution to stimulate and act in everyday life. The disorders are thus valued because it allows the oppressed, i.e. the patient, to free himself from any subjection told with a drug conceived ad hoc. Every social situation or partially conscious difficulty plays a major role and becomes part of an overload of pharmaceutical remedies.<\/p>\n

The inventiveness of psychiatrists determines a society founded on rapacity, selfishness and accumulations. A society that eliminates the weakest in a game of visions disconnected from reality. The proposed themes vary from the stigma that accompanies any person with a condition of mental suffering, to the mechanisms of information and the many possible images of ways that can administer remedies studied on the layout of speculation and on a factory that induces addiction.<\/p>\n

Vision<\/b> attests, in a language embellished by its protagonists, in narrative form and in a drama with comedic references, in the place they act, as a kind of relief from their personal passions by enacting a conflict with consequent psychic lacerations. The forerunner locked up in his weaknesses unknowingly allows it to become a therapeutic tool.<\/p>\n

The performance will take place at the Odeon Theater on 22 January 2018 at 8.30pm<\/b>. The proceeds of the event go to the Together for Disability Association which has been carrying forward social issues on psychiatry for years. We thank the Order of Doctors in the figure of its president Dr. Pasquale Veneziano<\/b> for having contributed to supporting this event for the themes expressed with the Oden Theater<\/b>. To the Association LOVE ME. Section of Reggio Calabria <\/b>who shared this theatrical commitment,<\/p>\n

At the Amateur Theater Company\u201d SAKINE'<\/b>", The Actors Nuccio Di Vaio, Elena Festa, Gisella Rescigno, Giancarlo Zurzolo, Maril\u00f9 Laface, Oreste Arconte, Nuccia Macr\u00ec, Antonino Buffon, Giovanni Barreca, Anita Scordo <\/b>and to the director Immaculate Cassalia<\/b> as well as president of theAss.ne Together for Disability <\/b>who with commitment and passion have been able to interpret and implement this comedy, to the Metropolitan City of Reggio Calabria in the figure of its institutional representative Lawyer Giuseppe Falcomata<\/b> which has sensitively grasped these issues that fall on its citizens in conditions of hardship with the moral release of the emblem of the Metropolitan City.<\/p>\n

To the Regional Council in the highest representation Hon. Nicholas Irto <\/b>which has always morally supported the concepts raised by the Together for Disability Association, highlighting their proposals in the awareness of breaking down the stigma that recalls isolation of the person with a condition of mental suffering and his or her family.<\/p>","protected":false},"excerpt":{"rendered":"

Nella commedia teatrale Vision, si discutono le forme e i modi con cui gli informatori scientifici e gli psichiatri possono indurre con sfumature troppo spesso impercettibili, un paziente a trasformarsi in un soggetto psicotico. Stretto web –\u00a022 gennaio 2018 C\u2019\u00e8 chi la definisce un\u2019arte irregolare, una forma espressiva nata dagli interessi, dai rapporti pluriformi che …<\/p>","protected":false},"author":4,"featured_media":34352,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-34341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-notizie"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts\/34341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/comments?post=34341"}],"version-history":[{"count":0,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/posts\/34341\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/media\/34352"}],"wp:attachment":[{"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/media?parent=34341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/categories?post=34341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fedaiisf.it\/en\/wp-json\/wp\/v2\/tags?post=34341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}